Synopsis:

 

This project explores identity through installations, photography, and performance. However, due to the COVID-19 pandemic outbreak in 2020, it was adapted and recorded in a video format.

 

Created from the experience in the artist's transition from Shanghai to London. These works exemplify the use of multiple media to articulate the multifaceted nature of identity. Such as leather thread metallic print, foam sheet and acrylic. By incorporating these elements into his photography, the artist challenges the fixed, frozen nature of photographic images, creating a dynamic interplay between the image and reality.

 

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Reference:

Fanon, F. (1995) Black Skin, White Masks.

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